Friday, October 19, 2012

Spartan Gold: Bel-Marduk and more

pg 371

Xerxes I took the throne...spirited away the golden idol of Bel-Marduk
Marduk  was the Babylonian name of a late-generation god from ancient Mesopotamia and patron deity of the city of Babylon, who, when Babylon became the political center of the Euphrates valley in the time of Hammurabi (18th century BCE), started to slowly rise to the position of the head of the Babylonian pantheon, a position he fully acquired by the second half of the second millennium BCE.
According to The Encyclopedia of Religion, the name Marduk was probably pronounced Marutuk. The etymology of the name Marduk is conjectured as derived from amar-Utu ("bull calf of the sun god Utu"). The origin of Marduk's name may reflect an earlier genealogy, or have had cultural ties to the ancient city of Sippar (whose god was Utu, the sun god), dating back to the third millennium BCE.
In the perfected system of astrology, the planet Jupiter was associated with Marduk by the Hammurabi period
"Oh, what a tangled web," Remi said as he finished
Marmion is an epic poem by Walter Scott about the Battle of Flodden Field (1513). It was published in 1808.
Scott started writing Marmion, his second major work, in November 1806. When Archibald Constable, the publisher, learnt of this, he offered a thousand guineas for the copyright unseen. William Miller and John Murray each agreed to take a 25% share in the project. Murray observed: "We both view it as honourable, profitable, and glorious to be concerned in the publication of a new poem by Walter Scott." Scott later said that he thoroughly enjoyed writing the work. He told his son-in-law, Lockhart, "Oh, man, I had many a grand gallop among these braes when I was thinking of Marmion."
In 1807 Scott practised manoeuvres with the Light Horse Volunteers (formed to defend an invasion from France) in order to polish his description of Flodden. Marmion was finished on January 22 and published on 22 February 1808 in a quarto first edition of two thousand copies. This edition, priced one and a half guineas, sold out in a month. It was followed by twelve octavo editions between 1808 and 1825.

Plot

The poem tells how Lord Marmion, a favourite of Henry VIII of England, lusts for Clara de Clare, a rich woman. He and his mistress, Constance De Beverley, forge a letter implicating Clara's fiancé, Sir Ralph De Wilton, in treason. Constance, a dishonest nun, hopes that her aid will restore her to favour with Marmion. When De Wilton loses the duel he claims in order to defend his honour against Marmion, he is obliged to go into exile. Clara retires to a convent rather than risk Marmion's attentions. Constance's hopes of a reconciliation with Marmion are dashed when he abandons her; she ends up being walled up alive in the Lindisfarne convent for breaking her vows. She takes her revenge by giving the Abbess who is one of her three judges documents that prove De Wilton's innocence. De Wilton, having returned disguised as a pilgrim, follows Marmion to Edinburgh where he meets the Abbess, who gives him the exonerating documents. When Marmion's host, the Earl of Angus is shown the documents, he arms De Wilton and accepts him as a knight again. De Wilton's plans for revenge are overturned by the battle of Flodden Field. Marmion dies on the battlefield, while De Wilton displays heroism, regains his honour, retrieves his lands, and marries Clara.

Reception

Although the book was a huge and lasting commercial success in both Britain and the United States, it did not find favour with contemporary critics. The introductory letters to Scott's friends, which open each canto, were dismissed as unwarranted intrusions. A hero as flawed as Marmion was also unwelcome at this time and the story was criticised for its obscurity. Francis Jeffrey published a particularly harsh review in the Edinburgh Review. Jeffrey observed that much of the verse was 'flat and tedious'; he accused Scott of simply showing off his historical erudition. He also objected to the anachronism of the chivalric code and opposed the warlike sentiments of the introductory epistles. Ultimately, however, the public enthusiasm for Scott's work was undimmed and the poem remained popular for over a century.
The stanzas telling the story of "young Lochinvar", excerpted from Canto V, particularly caught the public imagination and were widely published in anthologies, and learned as a recitation piece.
One of the most famous quotations in English poetry is derived from Canto VI, XVII:
Oh, what a tangled web we weave
When first we practise to deceive!
 "Thrace and Macedonia were just warm-up acts."
Thrace is a historical and geographic area in southeast Europe. As a geographical concept, Thrace designates a region bounded by the Balkan Mountains on the north, Rhodope Mountains and the Aegean Sea on the south, and by the Black Sea and the Sea of Marmara on the east. The areas it comprises are southeastern Bulgaria (Northern Thrace), northeastern Greece (Western Thrace), and the European part of Turkey (Eastern Thrace). The biggest part of Thrace is part of present-day Bulgaria. In Turkey, it is also called Rumelia. The name comes from the Thracians, an ancient Indo-European people inhabiting Southeastern Europe.

Macedonia or Macedon was an ancient Greek kingdom. The kingdom, centered in the northeastern part of the Greek peninsula, was bordered by Epirus to the west, Paeonia to the north, the region of Thrace to the east and Thessaly to the south. The rise of Macedon, from a small kingdom at the periphery of Classical Greek affairs, to one which came to dominate the entire Hellenic world, occurred under the reign of Philip II. For a brief period, after the conquests of Alexander the Great, it became the most powerful state in the world, controlling a territory that included the former Persian empire, stretching as far as the Indus River; at that time it inaugurated the Hellenistic period of Ancient Greek civilization.

"As in the Oracle at Delphi?"
The Pythia , commonly known as the Oracle of Delphi, was the priestess at the Temple of Apollo at Delphi, located on the slopes of Mount Parnassus. The Pythia was widely credited for her prophecies inspired by Apollo. The Delphic oracle was established in the 8th century BCE.The last recorded response was given during AD 393, when the emperor Theodosius I ordered pagan temples to cease operation.
During this period the Delphic Oracle was the most prestigious and authoritative oracle among the Greeks. The oracle is one of the best-documented religious institutions of the classical Greeks. Authors who mention the oracle include Aeschylus, Aristotle, Clement of Alexandria, Diodorus, Diogenes, Euripides, Herodotus, Julian, Justin, Livy, Lucan, Ovid, Pausanias, Pindar, Plato, Plutarch, Sophocles, Strabo, Thucydides, and Xenophon.
The name 'Pythia' derived from Pytho, which in myth was the original name of Delphi. The Greeks derived this place name from the verb, pythein (πύθειν, "to rot"), which refers to the decomposition of the body of the monstrous Python after she was slain by Apollo. The usual theory has been that the Pythia delivered oracles in a frenzied state induced by vapors rising from a chasm in the rock, and that she spoke gibberish which priests interpreted as the enigmatic prophecies preserved in Greek literature.
Recent geological investigations have shown that gas emissions from a geologic chasm in the earth could have inspired the Delphic Oracle to "connect with the divine." Some researchers suggest the possibility that ethylene gas caused the Pythia's state of inspiration. However, Lehoux argues that ethylene is "impossible" and benzene is "crucially underdetermined." Others argue instead that methane might have been the gas emitted from the chasm, or CO2 and H2S, arguing that the chasm itself might have been a seismic ground rupture, although this idea has been challenged by scholars such as Joseph Fontenrose and Lisa Maurizio, who argue that the ancient sources uniformly represent the Pythia speaking intelligibly, and giving prophecies in her own voice.

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