Friday, July 13, 2012

Spartan Gold: Scottish deerhound and more

pg 183

She lived alone in her villa with a mosest staff and a Scottish deerhound nmed Henri.
The Scottish Deerhound, or simply the Deerhound, is a breed of hound (a sighthound), once bred to hunt the Red Deer by coursing.


The doorbell chime was :A Marcia de Muneghu, the March of Monaco"
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"Hymne Monégasque" (in English: Monégasque Anthem) is Monaco's national anthem.
Théophile Bellando de Castro wrote the lyrics and composed the music of the 1st edition of Hymne Monégasque in 1841, later Castil-Blaze modified the melody and made several other minor changes. In 1848 the National Guard, created by Prince Charles III, adopted Bellando's song and it became the March of the National Loyalists. In 1896 Charles Albrecht composed a new arrangement for piano, published by Tihebaux in Paris and called Air National de Monaco; in 1897 Decourcelle of Nice, printed an edition called 429 Hymne National de Monaco for piano.
Years later, François Bellini orchestrated the song by Albrecht; this new arrangement for a trio was judged to be too long for people in 1900 and ceased being played. The modern version was created by Léon Jehin in 1914 and was played for the first time during the 25th anniversary of the beginning Prince Albert's reign. Finally in 1931 Louis Notari wrote the lyrics in the Monegasque language. Only the Monegasque lyrics are official, reportedly dating back to a request from the Prince. The official lyrics contain only one verse. (The anthem is not usually even sung at all, except for official occasions.
"When in Rome, do as the Romans do."
First attested in medieval Latin si fueris Rōmae, Rōmānō vīvitō mōre; si fueris alibī, vīvitō sicut ibi (if you were in Rome, live in the Roman way; if you are elsewhere, live as they do there); which is attributed to St Ambrose.

Aurelius Ambrosius, better known in English as Saint Ambrose (c. 330  – 4 April 397), was a bishop of Milan who became one of the most influential ecclesiastical figures of the 4th century. He was one of the four original doctors of the Church.
A silver-framed mirror sat above a nineteenth century English Sheraton painted demi-lune console table.
[Demi-lune = half moon, and is used regarding the legs of the table, not the shape of its top.
Sheraton is a late 18th century neoclassical English furniture style, in vogue ca 1785 - 1820, that was coined by 19th century collectors and dealers to credit furniture designer Thomas Sheraton, born in Stockton-on-Tees, England in 1751 and whose books, "The Cabinet Dictionary" (1803) of engraved designs and the "Cabinet Maker's & Upholsterer's Drawing Book" (1791) of furniture patterns exemplify this style.
The Sheraton style was inspired by the Louis XVI style and features round tapered legs, fluting and most notably contrasting veneer inlays. Sheraton style furniture takes lightweight rectilinear forms, using satinwood, mahogany and tulipwood, sycamore and rosewood for inlaid decorations, though painted finishes and brass fittings are also to be found. Swags, husks, flutings, festoons, and rams' heads are amongst the common motifs applied to pieces of this style.

Without pedantic archaeology, it brought the Neo-Classical taste of architects like Robert Adam within reach of the middle class. In many respects Sheraton style corresponds with the contemporary Directoire style of France. The Sheraton style was the most reproduced style in the United States during the Federal period.

 Italian Neoclassical furniture was loosely based on that of Louis XVI styles, but was made unique by the usage of exaggeratedly shaped backs and necks which were recessed. Armoires, or armadi made by the Venetians were more geometrically shaped than the Rococo ones, but were usually gilded in gold and silver, and had a few intricate details, such as cartouches.The French encoignure cabinets also proved highly popular in Italian furniture. French style secretaire writing tables were also popular in Italian furnishings, but were made uniquely Italian by adding pietra dura intricate designs on the marble slabs which covered the writing desks. Italian commodes and console tables were still relatively similar to before, yet they were more classical in style, and rather than having cabriole legs usually had elegantly decorated straight, demi-lune at most, legs



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