It looked like one of those futuristic displays at world expositions.
World's fairs originated in the French tradition of national exhibitions, a tradition that culminated with the French Industrial Exposition of 1844 held in Paris. This fair was soon followed by other national exhibitions in continental Europe, and eventually the United Kingdom.
The best-known 'first World Expo' was held in The Crystal Palace in Hyde Park, London, United Kingdom, in 1851, under the title "Great Exhibition of the Works of Industry of All Nations". The Great Exhibition, as it is often called, was an idea of Prince Albert, Queen Victoria's husband, and is usually considered as the first international exhibition of manufactured products. It influenced the development of several aspects of society, including art-and-design education, international trade and relations, and tourism.[2] These events have resulted in a remarkable form of Prince Albert's life history, one that continues to be reflected in London architecture in a number of ways, including in the Albert Memorial later erected to the Prince. This expo was the most obvious precedent for the many international exhibitions, later called world's fairs, that have continued to be held to the present time.
Since their inception in 1851, the character of world expositions has evolved. Three eras can be distinguished: the era of industrialization, the era of cultural exchange, and the era of nation branding.
An eight-foot moray eel slithered along the lower edge of the portal
Moray eels are cosmopolitan eels of the family Muraenidae. The approximately 200 species in 15 genera are almost exclusively marine, but several species are regularly seen in brackish water and a few, for example the freshwater moray (Gymnothorax polyuranodon) can sometimes be found in freshwater.[2] With a maximum length of 11.5 centimetres (4.5 in), the smallest moray is likely the Snyder's moray (Anarchias leucurus),[3] while the longest species, the slender giant moray (Strophidon sathete) reaches up to 4 metres (13 ft).[4] The largest in terms of total mass is the giant moray (Gymnothorax javanicus), which reaches almost 3 metres (9.8 ft) and can weigh over 36 kilograms (79 lb).
The deck of the control room was coated with it [blood], while several places along the electrical panels were splattered wildly in the manner of a Jackson Pollock painting.
Paul Jackson Pollock (January 28, 1912 – August 11, 1956), known as Jackson Pollock, was an influential American painter and a major figure in the abstract expressionist movement. He was well known for his uniquely defined style of drip painting.
During his lifetime, Pollock enjoyed considerable fame and notoriety. He was regarded as a mostly reclusive artist. He had a volatile personality, and struggled with alcoholism for most of his life. In 1945, he married the artist Lee Krasner, who became an important influence on his career and on his legacy.[4]
Pollock died at the age of 44 in an alcohol-related car accident. In December 1956, the year of his death, he was given a memorial retrospective exhibition at the Museum of Modern Art (MoMA) in New York City, and a larger more comprehensive exhibition there in 1967. More recently, in 1998 and 1999, his work was honored with large-scale retrospective exhibitions at MoMA and at The Tate in London.[5][6]
In 2000, Pollock was the subject of an Academy Award–winning film Pollock directed by and starring Ed Harris.
Painting NO 5 completed in 1948
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